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↳ lighting design & theatre projects by neil e. hobbs

Showlit

Monday, 30 May, 2005 — filed under: lighting / news / theatre

Okay, so I’m back from Munich – and London and Edinburgh, too – and I can sit m’self down to write up the many, many pages of notes I took during the wonderfully fascinating talks and panels. That’s going to take a little time.

There’s also a couple of hundred pictures from my phonecam lurking unprocessed in iPhoto, waiting to be sieved into Light & Dark. That will also take a wee while.

A quick summary of the conference, then: it was amazing. Plenty of new stuff to learn, different fields of lighting to consider, but the biggest mind-explosion for me was simply to meet so many of those (all puns intended) leading lights who, until now, have been names in books and theatre programmes.

Time for a quick met-roll:

To talk, eat and drink with these and many more was the most hugely valuable experience for me. I’ve been massively down on the prospects for making a career out of lighting, but Showlight really opened my eyes to the potential of other countries and fields of practice beyond theatre in the UK.

And, of course, there were a bunch of other students from all over the world – Rose Bruford, Central School, and the Beyeische Theaterakademie in Munich among others: very interesting to hear about the different approaches to teaching lighting and technical theatre, and it was great to meet everyone.

More coming soon – keep an eye on the Showlight category.

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Rick Fisher: Does Projection Work?

Sunday, 22 May, 2005 — filed under: lighting / news / theatre

Notes from Rick Fisher’s presentation at Showlight 2006; Prinzregententheatre, Munich; 22nd May, 2005.

Panni projectors controlled via pulses from lighting consoles.
Acceptable fate of convergence of LX/projection control.
Who controls the projection? Scenography? Projection designer?
Collaboration or dictatorial?
Teamworking has not expanded to properly include projection.
The LD is caught between the Scenographer and Projection Designer – to improve communication become a diplomat more than LX.
Good news: projection design/er is being taken more seriously, is involved earlier in the creative process.

Equipment is becoming cheaper, quieter, more flexible.
With more dexterity of projection, PD and LD have greater respect for each other.

Projection is an all-too-easy solution to too many locations. Shouldn’t really replace set.

Stein’s Seagull: too invasive, rejects the power of the writing to coney information theatrically.

Woman in White: actors standing in front of a video screen, on a black floor. Not the future of theatre as he sees it.
Frustration of LX design with unfinished projections.
Lighting becomes /reactive/ to projection – has to respect the projection and stay away from the screen, but projection doesn’t have the same respect of LX.
Gives LD a dilemma.

Billy Elliot: “theatrically right”, looking like the 80′s but with modern equipment.

Added projection: previewed for six weeks, projection added two nights before press night. Added a historical perspective that couldn’t be added theatrically.

Producers and directors want to use projection as backcloths.

Projected light seems flat and dead, compared to stage light. Needs to be better and brighter.

What is ‘wrong’ with LEDs? The unquantifyable attributes – measure its /smell/.

Needs more discussion to establish communication. Collaberation = good. Doesn’t want to grab more of the responsibility in the creative process.
People need to talk about opinions.

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Are You Asking?

Sunday, 30 January, 2005 — filed under: photo / theatre

The Choreography Festival had its last night on Friday, and I used up two batteries (thanks, Nat!) and two memory cards worth of images:

A single dancer in a red dress, blurred with motion on a white stage

I’ve put all the originals on a CD for Laura and Sean, along with my “best of” selection. I really enjoyed doing some proper photographising: time to start saving my pennies for a digicam of my own.

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Are You Dancing?

Thursday, 27 January, 2005 — filed under: photo / theatre

Another round of choreography performances tonight, and more photos to match:

Dancers shift and blur with motion

I’m becoming increasingly pleased with iPhoto to store, process and export my growing picture library. Enhanced picture adjustment in the new version along with extra spangles for iDVD will more than justify an upgrade to iLife ’05 some time soon, particularly since it’s only �35 for students.

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Lines Of Motion

Wednesday, 26 January, 2005 — filed under: photo / theatre

I’m doing camera duties for Laura and Sean over at the 2nd year dance choreography performances for the next few nights. Trying to neatly frame dimly lit, constantly moving forms over a long focal range is something of a hit-and-miss affair, but the results can be pretty interesting:

Motion blur creates shapes of flux around dancers

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Woohoo!

Sunday, 5 December, 2004 — filed under: lighting / news / theatre

Yesterday I had my first mince pie. We sang carols in the foyer of the Lyceum in Sheffield. There were lots of decorated trees in Leeds College of Music.

But the icing on the cake: today I saw my first Coke truck advert – so it’s officially Christmas! Yeah!
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Beauty And The Beast

Sunday, 21 November, 2004 — filed under: lighting / theatre

I’m off to Edinburgh by bus and train in a couple of hours, reason being that I’m lighting Liz Lochhead’s Beauty And The Beast for Phurious Productions in East Kilbride.

So I won’t be posting anything here for a while – as always, watch my moblog. Show runs Thursday through Sunday.

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Top Girls!

Monday, 18 October, 2004 — filed under: academic / photo / theatre / Top Girls

This term I’m assigned to be the technical assistant on Caryl Churchill’s play Top Girls, which will go up in a few weeks time.
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Exclusive!

Sunday, 26 September, 2004 — filed under: audio / mac / news / theatre / tv / web

notlikecalvin.com has a world-wide exclusive on its hands: a second series of The Fez Of Etymology will soon be hitting the airwaves!
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RADLite Media Server

Saturday, 10 July, 2004 — filed under: lighting / news / tech / theatre

Simon and co. from IRAD came along to Bretton to show off the latest version of their media server. This is apparently something of a growing market with everybody and his dog wanting to use video and still projection in anything and everything. I’ve done enough work with projection to know that running it from consumer hardware isn’t much fun – IRAD were here to propose their alternative.
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