notlikecalvinnews

↳ lighting design & theatre projects by neil e. hobbs

The Lost and Lonely Rebels – A Sketch Show

Sunday, 7 August, 2005 — filed under: edfest

This is good stuff: almost entirely original jokes and sketch concepts performed well by a trio who are different enough to be comedically compatable. Although I could pick out weaker bits (the three-chair staging at times not quite enough to transform the grim venue), this is a jolly good show of really quite old-fashioned charm.

Extra points are awarded for military hand signals and a radio play of Bulldog Drummond, and I wouldn’t be surprised if we see the fortune-telling sweetshop-owner on BBC2 sometime soon.

Full disclosure: I know these chaps, to various degrees

go/no-go? GO

Comments Off

Enola

Sunday, 7 August, 2005 — filed under: edfest

The lazy journalist would write “Copenhagen meets subUrbia“. Or something.

But what we’ve got here is a spangling, tight little number about the personalities and physics of the first Atomic bomb, shot through with guilt, black humour and Lagrange points. The characters move along the predetermined paths of history, the bomb drops, the world changes.

The grimey-sweated air of the Underbelly caves makes a nice little bunker for the text – at times it’s a little too restrictive for some of the action’s emotional peaks, but the production makes visciously efficient use of the space, and I was surprised to see projection working so effectively. Strong performances all round combine with an almost haunting montage of sound and imagery: damn good stuff.

[Full disclosure: I know the author, although I wouldn't be afraid to tell him his work sucked. But it doesn't, so there's no problem.]

go/no-go? GO

Comments Off

The Martians – Scotland Is A Great Big Evil Face

Friday, 5 August, 2005 — filed under: edfest

I’ve got a soft spot for The Martians, having previously enjoyed their busker-friendly War of the Worlds a few years ago. But this is a mysteriously different kettle of fish.

All the evil bits of Scottish history wrapped up in some dodgy sub-Satanics sounds like a decent enough show, but it gets kinda lost in the “we only wrote the script yesterday” presentation. They’re still fine musicians, but they should have stuck to singing.

go/no-go? NO-GO

Comments Off

Omar Marzouk – War, Terror and Other Fun Stuff

Thursday, 4 August, 2005 — filed under: edfest

This is hugely unfortunate: as a Danish Muslim of Egyptian desent Omar obviously has an interesting perspective on current affairs, but that’s no replacement for the rambling lack of stage presence that we’re treated to. The few actual funny moments are ruined by bad delivery – more a problem of charisma than language, and something that excising jokes from the script as he went (using this preview in the most unsubtle way) won’t solve.

I got a free ticket to pad out the audience for a BBC cameraman, but it was clear from the start that any political interest here is massively outweighed by unfunny comedy.

go/no-go? NO-GO

4 responses »

Tim Vine – Current Puns

Thursday, 4 August, 2005 — filed under: edfest

Like the sort of person who makes axe-heads out of flint, Tim Vine is intent on preserving the too-neglected art of the pun. The jokes here get the bare minimum of set-up, usually in the form of a colonated sentence: just enough of a lead-in to produce the required pun in the next turn of phrase. We don’t get plot, we barely get character – the sole focus of the act is to deliver as many groan-awful gags as possible, and it is a laudable success.

Admittedly, there are some non-puns in there, and even a few songs, but I smiled the whole way through – even when he asked me my name (“not in these trousers”). And I’ve only just this minute got his titular gag.

go/no-go? GO

Comments Off

Of Storms Past & Future

Saturday, 9 July, 2005 — filed under: news

Another wristband: We're Not Afraid

Tony Blair, 07/07/05:

“When they try to intimidate us, we will not be intimidated. When they seek to change our country or our way of life by these methods, we will not be changed.”

Charles Clarke, 08/07/05:

“I’ve never argued … that ID cards would prevent any particular act. The question on ID cards, but also on any other security measure actually, is on the balance of the ability to deal with particular threats and civil liberties, does a particular measure help or hinder it? I actually think ID cards do help rather than hinder.”

[my emphasis]

Comments Off

Marching Orders

Saturday, 2 July, 2005 — filed under: news

It’s July 2nd, 2005. Since I just happen to be in Edinburgh, I’m off to join the makepovertyhistory march.

I’ll be livemoblog’ing as I go over at Light & Dark, so watch that space. I’m not expecting trouble, just a lot of people with a simple idea.

Comments Off

Landscape

Tuesday, 14 June, 2005 — filed under: lighting / mac / tech

I’ve made a (very) short film: Landscape.

It’s an exploration of the – duh – landscape that I’ve been living in for the last couple of years: some of the sights and sounds that come with being surrounded by Yorkshire’s fantastic nature, and some practical experimentation with framing and exposure. I shot the film on a series of walks over one weekend, wandering around the Bretton Country Park with camera and tripod, setting up then waiting for the sun to make an appearance.

I’ve spent much of the intervening time trying to find the ideal soundtrack – since there’s no real plot or dialogue in the film it uses music to help drive the visual, so getting the right track was very important.

I wanted to use Creative Commons licenced music, since that would neatly step around any problems with copyright, and I found what I was looking for at CC Mixter. After ploughing through practically everything in the classical, instrumental & experimental categories – among many others – I found sHORT fACED bEAR and his Big Idea (reduced mix).

Thanks to the wonder of Creative Commons’ non-commercial sampling plus licence, I could have sampled, remixed, scritched and scratched bEAR’s music, so long as any derivative works that I make with it are released using the same licence.

So, that means that Landscape is now also kind-of public property: you can “creatively transform this work for non-commercial purposes” provided that you play by the rules: please drop me a line if you do.

Anyway, downloaderify away: Landscape.mov [16MB .mov - QuickTime required]

[Update: file now hosted at archive.org ]

Comments Off

Intel, Apple and Me

Monday, 6 June, 2005 — filed under: mac / tech

Writing things down helps, supposedly.

Caveats: I’m an old-guard Apple supporter, and part of that is about being the underdog, being different. Different software, different hardware. Better hardware, even if it was more expensive and less megahertzy – that was part of the mystique: Wintel fanboys wouldn’t and couldn’t understand that. Through the dark days of Quadras and Performas and Gil Amelio there was always our operating system and those Motorola processors beating at the heart of our beige boxes. Kick that up a gear to the early PowerPC’s and we were different once again, RISC’ing a radically different – cleverer – approach to the brute force of Pentium. Shifting to IBM seemed obvious, even invisible; oddball enough to be different, but focused on performance and the user.

I’ve had a bad, twisty feeling in my gut all weekend, waiting for the news from the WWDC. I’d read the rumours and the speculation just seemed to be an unending whirl of “well, yeah, they could – but why the hell would they want to do that?”. Sure, there were plenty of pros and cons, not to mention whether this was a future-of-the-Mac thing or a some-other-device thing – a getting-x86-chips-from-Intel thing or a getting-PowerPC-chips-from-Intel thing.

But the PowerPC’s actually had better growth than Pentium recently, even if it’s missed Steve’s magic targets. PowerPC has better scalability. PowerPC is cheaper. PowerPC is smarter. It’s different. It’s ours.

How could Apple leave that behind?

That twisty feeling in my gut didn’t go away. Largely because of the oh-so-certain reporting in the Wall Street Journalreal journalists apparently aren’t allowed to just make stuff up. But there were also the twinges of 1984 about the magical anti-piracy abilities of the Pentium-D: I suddenly saw the Mac platform remolded in the light of the iPod, complete with a restrictive set of DRM gubbins that has, until now, not affected me in the slightest. I believe in the second coming of Steve Jobs as much as the next man, and I didn’t want to think that he could have been secretly angling to make Apple his own little media company at the expense of my computing platform.

But now it’s announced, annoited in the Reality Distortion Field, and I’m not sure how to feel. So let’s look at a few basics:

This is about chip supply and availability, jostling for more space in a marketplace whose public seems to think Intel is the only brand, and laptops. It’s not about processor speed, future chip development potential or unit price.

Part of what I feel, then, is that Apple is sacrificing being different (read: better) for market share. And that feels like betrayal.

Of course, there’s also the simple fact that my lovely (and expensive) iMac G5′s going to run out of new software sometime in the next one to two years. I’m a) poor and b) a cheap-ass, and Apple hardware’s always been better value for those willing to invest over a slightly longer term than your average Windows user, so this, like, really pisses me off.

Narg.

But it’s a done deal. Mac OS X has been co-developed for x86 hardware throughout the last four years. Cocoa apps can apparently be ported reasonably easily, Carbon with a little more work. OS X running on Intel will have backwards compatability with PowerPC apps. New apps can be compiled ‘fat’ for PowerPC and x86 – but who’s going to bother with that? I’m starting to feel left out in the cold.

And how many G5′s are they going to sell over the next year?

After putting it off, I finally read the coverage of the keynote. Then I went and watched The West Wing, which really lost its way in season five: empty scripts, hollow direction, the dramatic abandonment of characters I’ve absolutely cherished like no others.

Seemed familiar, somehow.

Comments Off

Showlit

Monday, 30 May, 2005 — filed under: lighting / news / theatre

Okay, so I’m back from Munich – and London and Edinburgh, too – and I can sit m’self down to write up the many, many pages of notes I took during the wonderfully fascinating talks and panels. That’s going to take a little time.

There’s also a couple of hundred pictures from my phonecam lurking unprocessed in iPhoto, waiting to be sieved into Light & Dark. That will also take a wee while.

A quick summary of the conference, then: it was amazing. Plenty of new stuff to learn, different fields of lighting to consider, but the biggest mind-explosion for me was simply to meet so many of those (all puns intended) leading lights who, until now, have been names in books and theatre programmes.

Time for a quick met-roll:

To talk, eat and drink with these and many more was the most hugely valuable experience for me. I’ve been massively down on the prospects for making a career out of lighting, but Showlight really opened my eyes to the potential of other countries and fields of practice beyond theatre in the UK.

And, of course, there were a bunch of other students from all over the world – Rose Bruford, Central School, and the Beyeische Theaterakademie in Munich among others: very interesting to hear about the different approaches to teaching lighting and technical theatre, and it was great to meet everyone.

More coming soon – keep an eye on the Showlight category.

Comments Off