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Two Thousand And Five

Saturday, 31 December, 2005 — filed under: web

It’s been a nice, cosy, rounded year. Some good stuff happened. Some not-so-good stuff happened, but less of that was directly to me.

2006, on the other hand, is already shaping up to be a year in which a great deal of greatness will be dealt. It has to be, there’s no way around it. There are many changes coming for me, mostly in the personal/professional fusion that notlikecalvin‘s always represented. Expect the first few baby-steps in that direction during the first few days of the new year.

It’s going to be a year of endings, and beginnings. Have a good one, chaps.

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Poem From The Past

Sunday, 6 November, 2005 — filed under: academic

The New Way of Courting Connected With Bretton Hall by Jimmy Mann, c1880:

At Bretton Hall near Wakefield, known so well,
Sir William Wentworth Blackett did once dwell:
That mansion was his home; there with his bride,
In pomp and splendour, he once did reside
Yet, in the midst of all that he possessed,
A rambling mind disturbed Sir William’s breast;
His lady and his home he left behind,
Says he, “The end of this wide world I’ll find;
The Earth’s extensive, but you may depend on’t,
Before ere I return I’ll find the end on’t.”
So he embarked on board a ship, we find,
And sailing left her Ladyship behind,
Who oft in sorrow did his absence mourn,
And sighing, said, “Oh, that he would return,
For, he his voyage rough or smooth at sea,
It is a cruel bitter blast to me.”
Sir William he rolls on through wind and waves;
Undaunted he all kinds of weather braves;
Nor his strange project ere relinquished he,
Till one and twenty years he’d been at sea;
Then perhaps, he thought, “Good lack! The world is round,
The end is nowhere, so it can’t be found;
And, as weary of this wild goosechase,
At home again, ere long, I’ll show my face”
Then off he set, but little was aware,
What would transpire on his arrival there;
For while Sir William roved as here expressed
Another “Sir” his lady thus addressed -
“Sir William’s gone (ne’er to return again)
Past this world’s end, which long he sought in vain,
There’s not a doubt he’s found the end of life;
But don’t be troubled: you shall be my wife.”
She listened, till at length she gave consent,
And straight way to church then this couple went.
Sir William does about this wedding hear,
As he unto his journeys end draws near;
And thus he does within his mind reflect;-
“This sly usurper I shall now detect:
Soon shall he know, though much against his will
At Bretton Hall I have dominion still:
Those woods and fertile fields my own I call,
With this magnificent, this spendid, hall:
And now I come to claim them as my own,
Though by my dress not from a beggar known:
My clothes are turned to rags, and by the weather
My skin is tanned till it resembles leather;
So now I’ll act the begger bold and rude,
And at this wedding boldly I’ll intrude;
And though admittance I may be denied
I’ll rob the merry bridegroom of his bride”.
Then at his own hall door one rap he gave,
Resolved the inmates’ charity to crave,
So he presented his request, ’tis said,
And they presented him a crust of bread!
The bread he took, and then to their surprise,
He asked the servants for some beer likewise.
“No, No,” said they, “beer we will give you none,
You saucy, drunked vagabond, begone!”
At length (with much ado) some beer he got,
And quickly he returned the empty pot:
And straightway then into the hall went he,
And said her ladyship he wished to see.
“You can by no means see her,” answered they,
“She’s newly married! ’tis her wedding day!”
“Married!” the feigned beggerman replied,
“Then I’ll not go till I have seen the bride”
Then towards the dining room his course he bent,
The servants quick pursued with one consent,
And seized him, with intent to turn him out.
“Come back you villain; what are you about?”
“About my business, to be sure,” quoth he:
“The room I’ll enter, and the bride I’ll see”.
“We’ll see you out of doors,” the servants said;
And now of course, a clamorous din they made,
Just then the bride, on hearing such a clatter,
Opened the door to see what was the matter.
This noble beggar thus obtained a sight
Of her who erstwhile was his heart’s delight;
He viewed her in her nuptial garments dressed,
And did of her a glass of wine request,
Which she denied – whom little did suppose
The ragged stranger was her wealthy spouse;
Then straight into the the dining room he went,
And down he sat amongst the guests content.
Says he, “You’ll grant me my request, I know,
A glass of wine I’ll have before I go.”
The bride at length complied with his request,
Thus thinking to despatch the ragged guest;
But when he did this glass of wine obtain,
He drank and filled, and drank and filled again.
The guests, astonished, and disgusted viewed
Whilst he proceeded to be far more rude;
Around the bride’s fair neck he threw his arm,
And gave a kiss which did her much alarm;
On him she frowned and threatened him with law;
Says he, “Your threats I value not a straw;
My conduct to reprove is all in vain,
For what I’ve done I mean to do again.
Madam, your bridegroom’s in an awkward case;
This night I do intend to take his place.”
And while upon her countenance he pores,
The guests agree to kick him out of doors.
“The deuce is in the beggarman” they cried;
“He means either to beg or steal the bride”
“No, No,” says he “I claim her as my own”
He smiled, and then he did himself make known,
Saying, “William Wentworth Blackett is my name;
For my long absence I am much to blame;
But safe and sound I have returned at last,
So let’s forgive each other all that’s passed”
The bride did her first bridegroom recognise;
With joy transported to his arms she flies,
And whilst they tenderly each other kiss,
The disappointed bridegroom they dismiss;
Who inwardly did his hard case lament,
Hung down his head and out of door he went,
“I’m robbed of this fair jewel now,” thinks he;
“How cruel is this tender spouse to me!”
Awhile he scratched his head, then heaved a sigh,
Then eyed the hall again, and wiped his eye,
Sir William freely did forgive his wife;
They lived together till the end of life.
My honest story I must now conclude,
Which may by some be as a fiction viewed;-
But, Sirs, the boots in which Sir William went
Are kept in memory of that event;
The very hat he wore preserved has been
At Bretton Hall – where they may yet be seen.

Commute

Tuesday, 1 November, 2005 — filed under: phonecam / tech

I’ve made another short film: Commute.

Filmed entirely using my Sony Ericsson K700i cameraphone (hence the fuzz-0-vision), I shot this over several weeks of commuting – duh – into Leeds, a journey which usually involved a prolonged series of buses, trains and walking. It gave me something to do.

Commute is the second of three films that I originally planned to release before the summer, of which Landscape was the first. I finally got ’round to editing it together, just before my Mac died, as an exercise to familiarise myself with iMovie 5: now that Tranquility is back (and that’s a whole other story) I’ve redux‘d it into Final Cut, mainly for better control over the titles. Anyhew, there it is.

I once again turned to CC Mixter for a soundtrack, something a little more upbeat this time: Hit It by Jim Purbrick (which also uses samples from deutscheunschuld‘s track religion) weathered the long selection procedure to provide a suitable beat to cut to.

So Commute is also released under a non-commercial sampling plus Creative Commons licence. Mash away, play by the rules, and please drop me a line if you do.

Downloaderify: Commute.mov [8MB .mov - QuickTime required]

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I Just Filled In The AppleCare Followup 'Quick' Survey!

Monday, 31 October, 2005 — filed under: mac

And I realised that what I wrote, in the measely 4000 characters (split between the two 2000 characters “any extra comments” sections) available, was pretty much what I’ve been wanting to post here, more or less:

  1. Provide separate provisions for customers: a) those who know what they are talking about, b) those who have no idea.
  2. I experienced the exact same hardware problem with my iMac that I’d had several months before, and I expected it to be dealt with in the same way, ie a replacement midplane board was shipped to me and I swopped it out. That previous time I got a working computer again in less than 48 hours: sending my Mac off to be repaired somewhere in Surrey took two weeks and would surely have been a greater expense to Apple – what happened to the DIY programme? It was extremely annoying to me that I knew the exact problem with the hardware after following the same testing procedure, and the repair process has become less efficient and a greater waste of my time. I also couldn’t understand why Amsis, apparently Apple’s sole designated repair company, doesn’t have iMac midplane boards in stock as a standard item – it’s pretty much the thing that goes wrong in that model, and it wasted another few days.
  3. Is this something that’s going to happen to my iMac every 3-9 months? I’ve been using Macs for the past fifteen years – I stuck with you guys when Gil Amelio was CEO! – and I’m not used to them breaking all the time. So, y’know, I’m a bit cheesed off.
  4. Realising my time to buy AppleCare was running out, I bought it through Apple’s online store a couple of days before my iMac packed up – but I had to wait for the AppleCare box to be delivered before I could activate it! Surely AppleCare should be active from the moment you buy it, since it’s just an extension of the warrenty – you could at least email me the activation code whilst the box is being posted! Another few days, wasted.
  5. The exact nature of the repair options wasn’t at all clear to me. I thought that an “on-site” repair would be a guy with a van who came and fixed it: how wrong I was. And perhaps the telephone support person could tell you where your nearest Apple-approved repair place was, so you’d be able to make an informed decision about which repair option to go for. Again, what happened to the DIY repair scheme?
  6. Did I just waste my money on AppleCare, since there is a warrenty extension on the power and video problem with first generation iMac G5′s? And don’t get me started on navigating Apple’s online store, customer accounts, and the Education area: that needs a bunch of work.
  7. I’d be delighted to help you improve your service: last time I was very impressed, but it all seems to have gone downhill. I’m not a Windows user, and I’m not used to being treated like one. Give me a call.
  8. I don’t actually have my Mac back yet. Maybe tomorrow. Hopefully.

Fingers crossed.

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Crestfall, Edinburgh

Tuesday, 18 October, 2005 — filed under: lighting / photo / theatre

Mary Gapinski as Tilly, in Nutshell's Crestfall

I’m off up to Edinburgh again this evening: we’re putting Crestfall into the Traverse for another short run.

If you’ve got some time to kill on Thursday, Friday or Saturday evening and you’ll be in the area, why not pop along for some “cutting edge” contemporary drama? It got a five-star review in the Scotsman (which was a bit of a shock, believe me) so we must have done something right.

You can book tickets online with no extra charge, and you’ll make the good ship Nutshell very happy indeed.

(I really should be using this space to publish some notes about my design – the sort of thing that only sometimes ends up in industry journals could be made very accessable here. Once I get back, I’ll do something with that.)

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More Midplane Madness

Sunday, 16 October, 2005 — filed under: improv / mac / theatre

Nine months on, it’s happened again: my iMac G5 has a serious problem. After a week or so of irregular problems with powering-up, she’s now in exactly the same state as before: black screen and overblowing fans. I’m betting my bottom dollar that I’ll be needing a third midplane board from Apple, as it looks like this is the same problem with the power management unit.

Annoyingly, even with the same quick turnaround as last time I won’t get this fixed until next weekend. But it’s been a while, so let’s recap what I’ve been up to since and during the Edinburgh Fringe:

In addition, last week I devised a Murder Mystery evening for the Drama Society, set at Bretton Hall: I’d written a couple of these for the EUTC at the Bedlam, but this was a bit different – great fun, though.

Crestfall also gets another run later this week, this time at the Traverse in Edinburgh. We were all really pleased with the reception it got at the Citz, and it’s going to be another little adventure staging it end-on. Please do come along if you’ve got an evening free for a slice of genuinely contemporary theatre. I’ll buy you a drink.

(When I get a spare moment, part of my work in this final year of degree is to work out what I’m going to do once I get that piece of paper and can’t laze around as a student any more: looking at the list above doesn’t really help to clarify that much…)

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The Sea: Production Meeting 1

Wednesday, 21 September, 2005 — filed under: lighting / Neil's productions / The Sea

Initial ideas:

Dir: Paranoia and isolation in a small community. Madness and the distortion of truth. Loss and survival. Dependence on others. Quite bleak, as apposed to black, comedy. The sea as an independent force. Outsiders vs insiders. McCarthyism, in a way.

Design team: The sea as an external force suggests a large performance space, elements washing-up as the play goes on. It needs to be a flexible space to deal with many different settings, but we’d rather create staging that allows for a greater flexibility of light and sound than simply shunting scenery about – I don’t want to get too stuck into the specific elements of the scenic design.

It can perhaps be treated slightly fantastically, at least around the edges.

We’re mostly interested in creating a large, surrounding expanse, lit at times very intimately as separate scenes require. We’re already tempted by quite a high-concept idea, perhaps to do with water.

Dir: We should build a very immersive environment for the audience and performers, to magnify the themes that we feel are important from the text using scenic/lighting/sound design.

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Edinburgh Festivals An That

Monday, 22 August, 2005 — filed under: edfest

It’s the start of week 3 of the Edinburgh Festival Fringe, and the start of week 2 at the Edinburgh International Festival, the Edinburgh International Film Festival and the Edinburgh International Book Festival. So there’s lots on, and lots to see.

As it happens, I’ve seen a few bits and pieces and I’ve started to post my reviews in the edfest category: these are more of a record for me than a guide for you, but share and enjoy anyway.

Rather than use a star rating I’ve decided to work on the go/no-go system, which is all people really want from a review anyway: do I think that this is value for money? A good use of your time? Will there be other productions doing the same sort of thing, but better? Should you, in other words, go or no-go?

I’m also post-dating my reviews to the date/time I saw them, so check the category if you want the latest.

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Tone Clusters

Friday, 12 August, 2005 — filed under: edfest

A middle-America couple answer reportage-tv questions, in the wake of the small-town murder for which their son has been convicted. They are good people shocked by their community turning against them, forced into the media spotlight by an event that they cannot explain.

The production is interesting on several levels: the ‘off-camera’ voice that questions them frequently makes mistakes concerning their names and the facts of the case; slides projected behind them contain a mix of imagery that is real (in the world of the play) and increasingly surreal; the questions they are posed become ever-more loaded and metaphysically sweeping, this one murder seemingly the key to a universal puzzle.

Most gratifyingly, the audience is never provided with absolute evidence of the son’s guilt or innocence – in exactly the same way that the parents are denied proper closure. Although the circumstances of the case build up increasingly unfavourably, the couple have no choice but to believe their son, and we leave them frustrated and socially destroyed by their loving faith. Sometimes we don’t get the answers we seek, even in the theatre.

go/no-go? GO

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Pajama Men – Stop Not Going

Monday, 8 August, 2005 — filed under: edfest

Let’s say this first: an absolute delight.

Like some kind of oddball masterclass in how to make things funnier by knowingly breaking the expected methods of comedy construction – and acknowledging it as they did so – these two guys warped their many characters into a great big tapestry of silly. There was a plot – several, in fact – but it largely played the straight man to the ridiculous moment-by-moment interaction of faces, fingers, voices and postures that occasionally slipped off the beaten track, much to the performers’ own great amusement.

In a way this was smug, but the Pajama Men’s assurance with their craft made us feel like a valued part of their very private in-joke. This preview’s confused start (the venue technicians somehow finding a way to bugger up a show with no sound or light cues) added a frission of uncertainty to the beginning, but couldn’t ruin one of the cleverest, funniest things I’ve ever seen.

go/no-go? GO

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